MAKING IT, OURSELVES: The Alice Footstool

 

Centered Petit Point Needlework DIY Upholstery StoolBehold! The first Fiber Archive DIY project is officially finished! Inspired by Alice B. Toklas and Pablo Picasso’s upholstery collaboration in the late 1920s, our new embroidered footstool is a testament to both Toklas’s steadfastness and Picasso’s whimsicality.

As discussed in the Toklas X Picasso HISTORY PROJECT post, our gal Toklas attended to her domestic tasks, many of which involved fiber craft, with the same care and vigor that Picasso or Gertrude Stein, her partner, devoted to their art. (Toklas was even known to stitch Stein’s famous line “Rose is a rose is a rose” onto Stein’s handkerchiefs). This particular collaboration between the artists began with Toklas’s desire to transfer an avant-garde masterpiece—Picasso’s guitar painting—into a petit-point footstool. Clearly viewing her and Stein’s everyday living space as an extension of their artistic life, Toklas transformed a lowly footstool into high art. The stool was soon followed by the even more ambitious Louis XV upholstered chairs, one covered in the playful floral/hand design and the other in bold lines and color blocking. Continue reading MAKING IT, OURSELVES: The Alice Footstool

MAKING IT, NEW: Alice Anderson and Chi Nguyen

Nguyen 5.4 Million and Counting / Anderson Fort Da

This week marks the culmination of two textile-related projects that seek to make “women’s work” visible, albeit in two different contexts: art and politics. In New York, this is the final week to catch Saatchi gallery’s Champagne Life, notable not only for being the gallery’s first all-female art show, but also for its bringing together of such a variety of provocative artists. The most fiber-forward of the bunch is Alice Anderson, whose pieces for the show include a 3-meter tall hand-wound bobbin. Meanwhile, in Washington, D.C., the 5.4 Million and Counting project, spearheaded by artist Chi Nguyen, presented a collaborative embroidery work at a Supreme Court Rally in support of women’s reproductive rights on Wednesday, March 2. Anderson’s and Nguyen’s works are different—one hyperbolizes a sewing notion to make an artistic statement, while the other gathers sewn stitches to express a political position—but they both link traditionally feminized labor with current questions about the agency of the female body.

Continue reading MAKING IT, NEW: Alice Anderson and Chi Nguyen